Archive for June, 2006

Hip-Hop Is Dead: Nas Goes all Nastradamus on Us Again

Thursday, June 22nd, 2006

In the next couple of days, this Rolling Stone In the Studio article on Nas will become a blogosphere favorite. Decide for yourself if this is bs or bt (bitter truth).

Nas
Hip-Hop Is Dead
Due Out: September
Recorded in New York

“For his eighth studio album, Queensbridge MC Nas is taking it to the clubs. “I want it to be bangin’,” he says. “And if you want it bangin’, you call the dudes with the bangers.” In this case, the dudes are Timbaland, Pharrell, Scott Storch, Dr. Dre and hip hop’s newest “it” producer, Will.i.am of the Black Eyed Peas. “This one is gonna broaden my audience back up to where it needs to be,” says Nas. It doesn’t hurt that he’s got rap’s reigning king, Jay-Z, behind him; the former foes buried the hatchet and Hova signed Nas to Def Jam in January. Hard drums and crowd chants rull the Will.i.am-produced title track. On “War,” a song about the politics of warfare, Nas trades verses with Damian Marley. “It has the head nod and that rocka bump,” says Nas’ co-manager Mark Pitts, who also confirms that Nas has been in touch with Michael Jackson in hopes of recording with him. “It’s gonna show Nas’ potential to cross over from hip hop to pop,” says Pitts.” (RS#1003)


I call bullsh*t. Hell, this could even be Def Jam’s ploy to get us all amped up for a pop Nas album when he’s, in fact, attempting another stillmatic feat.

Snoop Dogg Performs "Gin and Juice" with Taylor Hicks (Video)

Thursday, June 22nd, 2006

(major props to Clyde)

Here’s a video of the Snoop “Gin and Juice” performance with Taylor Hicks I posted a few days ago.

J Dilla - The Shining Tracklist

Thursday, June 22nd, 2006

1. Geek Down (with Busta Rhymes)
2. E=Mc2 (with Common)
3. Love Jones
4. Love (with Pharoahe Monch)
5. Baby (with Guilty Simpson, Madlib
6. So Far to Go (with Common, D’Angelo
7. Jungle Love (with MED, Guilty Simpson)
8. Over The Breaks
9. Body Movin’ (with J. Rocc, Karriem Riggins)
10. Dime Piece (with Dwele)
11. Love Movin’ (with Black Thought)
12. Won’t Do

Jay Dee was able to complete over 90% of The Shining prior to his passing on 02-10-06. Karriem Riggins, a long time associate of Dilla, assisted with the final touches. Hopefully, this here isn’t yet another attempt to cash in. The Shining drops on August 22nd, 2006 on BBE.

Hip-Hop Timeline Part 1: 1925 - 1975

Wednesday, June 21st, 2006

They say you never know where you’re going until you know where you’re coming from. Here’s a rundown of what was happening in the hip-hop world while your parents were still in diapers.
I first wrote this for About.com but I’m going to make weekly (or monthly) installations here as well, with little alterations. Now, no one’s claiming this to be the hip-hop gospel. So, if you find that some notable events are missing from the timeline, feel free to point them out. Major props to Davey D for posting up the full version on his site. It took me an awful long time to compile.

Here we go:

Hip-Hop Timeline 1925 - 1975

1925: Earl Tucker (aka Snake Hips), a performer at the Cotton Club invents a dance style similar to today’s hip-hop dance moves including floats and slides. Similar moves would later inspire an element of hip-hop culture known as breakdancing.

1940: Tom the Great (Thomas Wong) uses a booming sound system to please the crowd. Wong also used American records to swindle music-lovers from local bands.

1950: The Soundclash contest between Coxsone Dodd’s “Downbeat” and Duke Reid’s “Trojan” gives birth to DJ Battling.

1956: Clive Campbell is born in Kingston, Jamaica. Campbell would later become the father of hip-hop.

1959: Parks Commissioner Robert Moses starts building an expressway in the Bronx. Consequently, middle class Germans, Irish, Italians, and Jewish neighborhoods disappear in no time. Businesses relocate away from the borough only to be replaced by impoverished black and Hispanic families. Along with these poor people came addiction, crime, gang-related activities, and unemployment.

1962: James Brown records Live At The Apollo. Brown’s drummer Clayton Fillyau popularizes a sound that is now known as the break beat. The break beat would later inspire the b-boy movement, as breakers danced to these beats at block parties.

1965: In a historic boxing bout, Muhammad Ali (born Cassius Clay) defeats Sonny Liston in the 6th round. Before the bout, however, Ali recited one of the earliest known rhymes:

Clay comes out to meet Liston
And Liston starts to retreat
If Liston goes back any further
He’ll end up in a ringside seat.
Clay swings with a left,
Clay swings with a right,
Look at young Cassius
Carry the fight.
Liston keeps backing
But there’s not enough room
It’s a matter of time…

1967: Clive Campbell migrates to the United States at the age of 11. He would later become a graff writer and change his name to Clyde As Kool. Because of his size, kids at Alfred E. Smith High School nicknamed him Hercules. He didn’t like the name so he decided to go with the shortened form, Herc. Herc later became Kool Herc, a renowned hip-hop DJ that would help inspire a global culture.

1968: A gang named Savage Seven would hit the streets of the East Bronx. Savage Seven later transforms into Black Spades, before eventually becoming an organization known as Zulu Nation.

1969: James Brown records two songs that would further influence the drum programming in today’s rap – “Sex Machines” with John Starks playing the drums and “Funky Drummer” with Clyde Stubblefield on the drums.

1970: DJ U-Roy invades Jamaican pop chart with three top ten songs using a style referred to as toasting. The Last Poets release their self-titled debut album on Douglas Records combining jazz instrumentations with heartfelt spoken word. (The Last Poets were featured on Common’s 2005 rap anthem, “The Corner”).

1971: Aretha Franklin records a well-known b-boy song “Rock Steady.” The Rock Steady Crew would go on to rule in the world of break-dancing, with members all across the globe.

1972: The Black Messengers (a group that staged performances for The Black Panthers and rallies relating to the black power movement) feature on The Gong Show.
However, they are only allowed to perform under the alias “Mechanical Devices,” because of their controversial name.

1973: DJ Kool Herc throws his first block party at 1520 Sedgwick Avenue, Bronx, NY. Herc would often buy two copies of a record and stretch the break parts by using two turntables and mixing in both records before the break ends. The Zulu Nation is officially formed by a student of Stevenson High school named Kahyan Asim (aka Afrika Bambaataa).

1974: After seeing Kool Herc perform at block parties, Grandmaster Caz, Grandmaster Flash, and Afrika Bambaataa start playing at parties all over the Bronx neighborhoods. Around this time, DJ/MC/Crowd Pleaser Lovebug Starski starts referring to this culture as “hip-hop.”

1975: [Herc is hired as a DJ at the Hevalo Club. He later gets Coke La Rock to spit crowd pleaser rhymes at parties (e.g.“DJ Henry is in the house and he’ll turn it out without a doubt”). Coke La Rock and Clark Kent form the first emcee team known as Kool Herc & The Herculoids. DJ Grand Wizard Theodore invents ‘the scratch’ by accident. Legend has it that while trying to hold a spinning record in place in order to listen to his mom, Grand Wizard accidentally caused the record to produce the “shigi-shigi” sound that is now known as the scratch.

Part 2 next week…

Foul Shot of the Day: Pharrell

Wednesday, June 21st, 2006

Pharrell, where’s the album damn it!?

Soundbites: Nas, T.I. + Eve

Wednesday, June 21st, 2006

On the kid from the project bench/
That went–Sony BMG//
To that new conglomerate/
Island Def Jam//
Guess how many dollars was spent/
To get the best man…In the Rolls Royce like the king of Nigeria”

Nas - Where Y’all At

This joint has been making rounds for about a week now, hence my reluctance to post it. But I’m curious as to what people think of Nas‘ current lyrical potency. Most of his guest features as a Def Jam artist have been forgettable (read: his verse on Da Backwudz‘ “You Gon’ Luv Me Remix” and DJ Busta Rhymes‘ “Don’t Get Carried Away.” )
But this here harkens to the good ol’ Nasty ferocity. Production is solid (sounds like Salaam Remi) but the voice sample could use some Premo-esque tweaking. Love it though.
Rating: 8/10

Bonus Cuts:
T.I. & Eve - Cash Flow
Trae & Yung Joc - In the Hood
Lupe Fiasco - Kick Push II

Christina Aguilera’s Ain’t No Other Man (Video)

Tuesday, June 20th, 2006

I’ll gladly take this over that Beyonce & Jay-Z jawn anyday. Looks like all the ladies are trying to make a comeback this summer. Between Janet, Beyond-Say, and Chrissy, I’ll take _ _ _ _ _ _ _.

Snoop Dogg Performs "Gin and Juice" with Taylor Hicks

Tuesday, June 20th, 2006

Snoop never fails to amaze me. I thought I’d share the news of Snoopy Fly gettin’ his gangsta on with Jay Leno’s lost twin Taylor Hicks.

Sez Starpulse:

Snoop Dogg, real name Calvin Broadus, was performing at Birmingham’s City Stages festival on Saturday when the Alabama native joined him for a surprise duet.

The silver-haired soul singer played the harmonica during the song and performed some of his famous dance moves later in the rapper’s set.

Busta Rhymes Newsflash Video

Monday, June 19th, 2006

Here’s a video of Busta Rhymes investigating that May 2006 auto crash that ocurred right on Scott Storch’s lawn. Busta starts ‘nutting up’® T.I. towards the end and eventually gets kicked out of the scene by police.

Lloyd Banks Kidnaps Rakim and Scarface?

Monday, June 19th, 2006

How else do you explain these two hip-hop chieftains making appearances on Lloyd Banks’ upcoming Rotten Apple LP. Lloyd Banks must have kidnapped ‘Face and Ra, and locked them up in a basement for the collaborations?

Sez MTV:

“Outside the crew, I got Scarface on the album, 8Ball, Rakim,” he revealed. “I’m going in on this project. I’m going to show them my lyrical capability. It doesn’t hurt to have those legends stand beside me. I been listening to Rakim since I was a baby, as well as Scarface and 8ball. I was in junior high school, elementary school listening to these artists.”


Isn’t it funny how these rappers claim they’ve been listening to
Rakim, KRS-One, Big Daddy Kane, etc and still end up with a half-ass album everytime?

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